This is a weird idea I have, let’s see where it goes. An aside: this is how most of my ideas begin with this site.
I’ve become fascinated as of late with a lot of people’s screencapturing related posts on the internet. From Ryan’s “Freeze Frame” (which was birthed from The Film Experience’s “Hit Me With Your Best Shot“), Peter Labuza’s “Images of the Day” and a few others over the years that have struck me. We all love film for so many reasons, and one of them is the obvious visual element. I wanted, like these individuals, to highlight this idea but at the same time without completely taking and repurposing it.
Then I started to question what if the same progression we witness over the film’s complete runtime was able to be condensed into only a few images, but rather than being selective of those images make it completely structured? What would we notice now that we may not have while watching the film? And this idea is born.
The idea is this, take a film and take a snapshot every ten minutes (as close as possible with my feeble shakey hands on VLC) and play with the narrative and focus of the film. The inagural film will be the 2006 South Korean horror film The Host.
I think the most interesting I can note about this film through these images is how we see Park Gang-Doo change from images of hope to despair when he’s with people in a frame to being alone in the final two shots. While we’re watching a monster film which separates a family the film remains a film about how happiness can only be achieved together. The two shots above when the family is not together but with outside members are the complete opposite of images of happiness. However, every shot which has one or more family member (of any family) together has hope and happiness of some kind.
What do you see?
I love this – and not just because I'm linked.
I love this because as a person with an affection for visuals, there are series like this that look at film from that one important angle. Also, I love it because it draws from sites like Tumblr, but still infuses writing and discussion. I also love it, because I know how much work goes on behind the scenes in putting posts together like this (one of the reasons I'm quietly grumpy that my own Freeze Frame series is consistently low-trafficked)
As for this collection, the descent down the spiral is amazing in the way it's visible on the face of just one character.
Best shot: "Survive"
I'm partial to "In the dark family gets closer"… but those last two are particularly great shots.
Survive is my favorite shot of that film. A film that surprised the hell out of me when it was on TV a couple of years ago and gave me a formal introduction to Bong Joon-Ho (aside from his Hikikomori segment from the film Tokyo!).
I loved his bit in Tokyo!… I still haven't seen Memories of Murder (or whatever the title is)… been meaning to forever.
I have "Memories of Murder" in my DVR queue as it's my watchlist of films to see for the year as I hope to see more of his work throughout the year.
This is a fantastic spin on the screencap idea! I'm really curious to see what insights come out of other films, too – I think it worked really well on getting at the central ideas of this one.
Thanks for the comment… I wonder how hard I have to try to find films this'll work for week to week.